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Way Down
East (1920)
In D.W. Griffith's silent melodrama, subtitled "A Simple
Story of Plain People", with a spiritually-affecting performance
by Lillian Gish:
- the setting - a remote village in New England, where
young Anna Moore (Lillian Gish) lived with her
poor mother (Mrs. David Landau); the innocent young country girl
departed to live with her rich (and condescending) relatives in
Boston, the Tremonts; there, Anna met the "dashing" Lennox Sanderson
(Lowell Sherman), who reportedly had three specialties: "ladies -
Ladies - and LADIES"
Three Major Characters
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Anna Moore (Lillian Gish)
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Lennox Sanderson (Lowell Sherman)
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David Bartlett (Richard Barthelmess)
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- near the country estate of the Sanderson family
was Bartlett Village, where 21 year-old daydreaming son David Bartlett
(Richard Barthelmess) lived with his Puritanical parents
- during the Tremont's grand social ball, Anna's appearance
and "delicate beauty [is] a whip to Sanderson's jaded appetite" - the
callous city playboy quickly flattered her beauty, and became "obsessed
by a new desire" for Anna
- Sanderson lured Anna to his apartment under false
pretenses, and made a physical advance, followed by a marriage
proposal ("I want you to - to
marry me"); Anna reacted ecstatically
to the proposal,
soon followed by the revelation that her marriage to him as "husband" was
only a faked and mock ceremony
- after their sham "marriage," their
horse-drawn carriage took them for their honeymoon to their "bridal
suite at Rose Tree Inn" where he seduced and despoiled her
(off-screen) in the bedroom
- shortly later, Anna returned home (keeping her marriage
a "great secret") with promises from Sanderson to visit; she was
finally able to reveal to him that she was pregnant
- and that their secret marriage had to be revealed; he demanded: "You
musn't tell anyone!" and
then admitted to her the truth about their sham marriage: "Well
- if you must know the truth - because
we aren't married at all!"; at first, she thought that he must be joking;
she held out her ring (in a necklace around her neck) and
blurted out - "WE MUST be married - see-see- our ring!", he pushed
her away and then when she became hysterical, he coldly told
her: "For Heaven's sake, don't make a scene! I'll let you have
lots of money and you can go away"; the duplicitious scoundrel
Sanderson abandoned her - walking out on her, and forcing Anna
to reveal her situation to her mother
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Anna's Revelation to Sanderson That She Was Pregnant
With His Child
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Sanderson: "Well - if
you must know
the truth - because we aren't married at all!"
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Anna Became Hysterical
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Sanderson: "Don't make a scene!"
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- soon after, Anna's mother died, and she had to hide
herself "away with her shame" in the village of Belden; she gave
birth to a nameless, illegitimate baby that was very sick; her
stern-faced Belden landlady Maria Poole (Emily Fitzroy) reminded
Anna that if the baby died without being baptized, it would never
see God
- in one
of the film's most emotionally and poignantly-acted scenes, fearing
for her baby's soul, Anna held her dying baby close to her breast
as she performed the sacred ritual and baptized it - just before
it died in her arms ("the little hands grow cold upon
her breast")
- now ostracized and without work, Anna arrived at
the Bartlett home to find work; the religious and kind Mrs. Bartlett
(Kate Bruce) took pity on her and gave her refuge as a serving
girl; then in an awkward situation, she found herself face-to-face
with her former "husband" Sanderson; threatened by the awkward
coincidence, he immediately asked her to leave because his estate
was nearby; although Anna wanted to leave immediately, son David
persuaded her to stay and she soon became a beloved
member of the Bartlett family; David slowly began to
fall in love with Anna ("David [was] thrilled with the thought
that she is the virginal white flower of his dreams")
- they experienced an innocent love scene
by the river together, accompanied by the title card: "One
heart for one heart, One soul for one soul, One love for one love,
Even through Eternity"
- Anna was reluctant to fall in love with David when reminded of
the "stark ghosts of her past" - she sadly could not allow him to say
such things (he told her he loved her), feeling unworthy of him due
to her checkered past: "So
she tells him he must never speak like this again"
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Anna Reluctant to Fall In Love With David, Who Loved
Her
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- in town, Anna's former landlady Maria Poole from
Belden recognized the wayward girl, and then whispered the evil
story of Anna's past life to Martha Perkins, the town's gossip; meanwhile,
the dastardly Sanderson again became worried about Anna's presence,
and demanded that she leave: ("Suppose they find out about your
past life? You'd have to get out then!"); Anna reminded
him of the double-standard: "Suppose they find out about YOUR past
life!"; Sanderson was uncaring: "Oh, it's different with a MAN!
He's supposed to sow his wild oats"
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the news of Anna's past reached the Bartlett family; at the same
time, David confessed
his love to her: ("I love you! I want
you to be my wife"); shamed by her past, Anna told David: "I can
never be ANY MAN'S WIFE!"; when the scandalous tale of Anna's unwed
pregnancy and baby was confirmed, she was condemned as a fallen woman
by David's prudish, self-righteous father, Squire Bartlett (Burr
McIntosh)
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Anna's Casting Out Into the Blizzard by Squire Bartlett,
But Not Before She Denounced Sanderson as a Scoundrel
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- during a classic casting-out
scene, Anna was thrown out of the house by Squire Bartlett: ("She
ain't fit to be here! She's the mother of a baby - but she ain't
got - NO HUSBAND!"); David was incensed and crazed by the incomprehensible
accusation, but Anna confirmed that it was true, but then denounced
Sanderson before leaving: ("You found out so much! Why didn't you
find out the whole truth? That I was an ignorant girl betrayed
through a mock marriage. (Pointing at Sanderson) This man - an
honored guest at your table - why don't you find out what HIS life
has been? For HE is the man who betrayed me!")
- in the final sequence, Anna departed and
entered into a fierce, freezing snowstorm-blizzard; the
finale was Anna's daring, last-minute rescue by David from floating
ice floes that were perilously close to a precipitous waterfall;
he nimbly jumped from ice block to ice block to try to reach her
before the ice jam gave way - rushing to the falls. As Anna regained
consciousness after falling exhausted, she started to sink into the
frigid water at the edge of the falls; David scooped her up and saved
her, running perilously upstream on unstable blocks of ice to reach
the shore
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Anna Lying On a Floating Block of Ice
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Anna Saved by David By Scooping Her Up
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Anna Carried to the Shore
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- David warmed Anna in a nearby sugar shack, and soon
after when the family gathered together, the Squire asked forgiveness
and Anna obliged; Anna rejected Sanderson's conciliatory offer of
marriage, while David claimed Anna as his bride and they were
married with others in a triple wedding ceremony as the film concluded
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'Playboy' Sanderson Flattering Innocent Young Anna's Beauty
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Anna's Flustered Reaction to Sanderson's Marriage Proposal
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Sham Marriage Ceremony
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Honeymoon at Rose Tree Inn - and Anna's Despoilment
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Anna With Her Illegitimate, Newborn (and Sick) Baby
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Performing the Sacred Rite of Baptism With Her Baby
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The Baby's Death in Her Arms
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Looking for Work at the Bartlett Farm
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Anna At the Farm
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Anna Shocked to See Sanderson
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David's Confession of Love to Anna
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Anna's Response to David: "I can never be ANY MAN'S WIFE!"
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Anna Cast Out into a Blizzard
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Anna's and David's Marriage in the Film's Ending
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