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Kill, Baby...Kill! (1966, It.) (aka
Operazione Paura, or Operation Fear)
In director Mario Bava's mis-named, disorienting Euro-horror
ghost story with a compelling Victorian Gothic flavor, set in Romania
in the early 1900s - one of Bava's best works:
- in the opening pre-titles scene, terrified young
female Irena Hollander (Mirella Panfili), employed as a maid at
the haunted, decaying, creaky, cob-webbed estate of Villa Graps
in the small 'cursed' rural Transylvanian village of Kermigen,
felt inexplicably compelled to fall forward to her own suicidal
death onto a spiked iron fence surrounding an abandoned church
- during the opening title credits, a young ghost-child
girl in a white dress (later revealed to be Melissa Graps (Valeria
Valeri)) was briefly heard madly giggling and seen walking down stairs
(only her feet were visible); later, it was told in a local superstitious
legend that in 1887, 20 years earlier, the seven year old went to
fetch her ball during a village festival and was trampled by a horse
- she had been left to slowly die and bleed to death on the street
by the town drunkards - and she had vengefully returned in deadly,
cursed spectral visitations to haunt the villagers
- the introductory investigation of Irena's mysterious
death, with the arrival of handsome, autopsy-performing coroner Dr.
Paul Eswai (Giacomo Rossi-Stuart), with the assistance of former
town resident and naive medical student Monica Shuftan (Erika Blanc),
and at the request of local police constable Inspector Kruger (Piero
Lulli) and the town's ineffectual, bald-headed Burgomeister Karl
(Luciano Catenacci); Kruger was investigating a string of bizarre,
unexplained murders ("a chain of bloodshed")
- the images (and sounds) that accompanied the evil
spirit of Melissa - including giggling, views of her playground swing
(and a disorienting pendulum camera shot from her POV, zooming in
and out), and a bouncing white ball
- the shocking autopsy discovery of a silver coin in
the dead girl's heart - and according to Monica, a very old local
legend stated that "only with money in the heart will one who
suffers a violent death ever rest in peace"
- the ubiquitous presence of raven-haired, black-clad
witch-sorceress named Ruth (Fabienne Dali), an exorcist who aided
the superstitious villagers to ward off evil spirits (including the
ghostly girl) with various charms and talismans (i.e., a leech vine
girdle); Dr. Eswai watched as Ruth performed a ritualistic, S&M-like
flogging (while conjuring "Death, where you can find no door
you will come no more, Lift your hand from her flesh and her blood,
Keep away!") on the bare back of topless Nadienne (Micaela Esdra),
the innkeeper's terrified daughter, who claimed the ominous face
of the blonde-haired, blue-eyed girl peered through the window at
her; Ruth was the Burgomeister's secret mistress-lover
- Dr. Eswai's meeting with the reclusive, crazed and
tormented matriarchal Baroness Graps (Gianna Vivaldi) at the ruined
mansion known as Villa Graps; she was the grieving, embittered mother
of blonde spectral-ghost Melissa (the Baroness was also Monica's
mother - one of the film's plot twists) who had cursed the town as
revenge; she kept a collection of Melissa's creepy dolls
- Dr. Eswai's chase after Melissa, seen carrying a white
ball, and her flight down a spiral staircase within Villa Graps featuring
labyrinthine corridors
Appearances of Young Blonde Ghost-Girl Melissa
Graps
(1880-1887)
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At the Window
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Appearing to Dr. Eswai
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In a Painting
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At Nadienne's Window
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In the Burgomeister's Cabinet
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Amongst Her Doll Collection
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- the nightmarish dream sequence, when Monica was
menaced by one of Melissa's threatening dolls that suddenly appeared
at the foot of her bed
- the further mysterious deaths included those of the
Inspector (shot in the right temple) and Nadienne (suicidally impaled
in the chest by a sharp candle-holder) after seeing Melissa at the
window
- the shock moment that Burgomeister Karl entered his
attic to find historical documents about Monica's past, when he was
confronted by Melissa hiding inside the locked cabinet - she was
holding the sealed packet of documents and offered him a hideous
smile that caused him to suicidally slit his own throat; the packet
of papers burned to ashes
- the discovery of Melissa's gravestone in the lower
part of the abandoned town church, marked 1880-1887
- and a second spooky moment when Melissa was seen sitting
amongst her doll collection in her mother's Villa
- the striking sequence in the Villa Graps of Dr. Eswai's
pursuit after Monica's screams through red-curtained doors leading
into identical rooms, again and again, and when he finally caught
up to a fleeing male figure - the shocking moment when he grabbed
the figure's shoulder, spun him around, and found himself looking
at his own mirror image - he discovered that he had been chasing
himself
Dr. Eswai's Pursuit After Monica -
Realizing He Was Chasing Himself
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- and then when he stepped back in the locked room,
up against a cob-web covered fresco or mural painting of the villa's
exterior framed on the wall, he found himself entangled and was
suddenly transported outside the villa
- the giggling Melissa's chase after the completely-scared
Monica down the spiral staircase - with camera effects (zoom in,
zoom out, and spinning), and the young girl's lethal stare
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Exorcist Ruth vs. The Baroness (Choked to Death)
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Ruth Lethally Stabbed in Chest
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- in the climactic ending at the Graps manor, there
was a deadly confrontation between Ruth and the Baroness - Ruth: "You
have killed for the last time because I'm going to kill you. I
have come to put an end to this bloodshed...You are the cause of
it all. You called Melissa from the dead to murder those you hated.
Now they have made you the object of Melissa's curse...You are
afraid of Melissa even if you are a medium. You put her against
the poor creatures to be killed by her and now you shall be!...You're
an insane killer. You would even let her kill your daughter Monica";
the Baroness threatened back: "You are inviting your own end.
You are destined to die in this villa" - Ruth was lethally
stabbed in the chest with a fireplace poker, but was able to choke
the Baroness to death before falling dead on top of the Baroness
(Ruth: "Now the nightmare is over. The chain is broken. I
have kept my promise")
- with their deaths, there was a happy ending -- the
ghostly and cursed power of Melissa dissipated as it was terrorizing
Monica
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Suicidal Death of Irena Hollander
Young Ghost-Girl in White Dress Waking Down Stairs
Investigative Coroner Dr. Paul Eswai
Coroner with Medical Student Monica Shuftan
Exorcist Ruth
(Fabienne Dali)
Ritualistic S&M Flogging
Baroness Graps (Gianna Vivaldi) - Melissa's Evil Mother
Spiral Staircase in Villa Graps
One of Melissa's Threatening Dolls
Death of Local Police Inspector Kruger
Melissa's Gravestone
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