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High Society (1956)
This entertaining, light-hearted Technicolored, VistaVision
MGM musical comedy with an original Cole Porter score (earning two
Academy Award nominations for Best Score and Best Song - "True Love")
was a tuneful remake of director George Cukor's screwball comedy The
Philadelphia Story (1940). The original non-musical film
set in Philadelphia starred Cary Grant, Katharine Hepburn, and James Stewart. Both films were based
on Philip Barry's 1939 play The Philadelphia Story.
The romantic musical comedy, now set amongst the rich
elite of Newport, RI, starred miscast Bing Crosby as ex-husband CK Dexter Haven, Frank Sinatra as writer
Mike Connor, and Grace Kelly (in her last film before marrying Prince
Rainier of Monaco), as rich girl Tracy Samantha Lord. It featured
the first teaming of Frank Sinatra and Bing Crosby.
- at the conclusion of the opening overture and title
credits, in the film's prologue, Louis "Satchmo" Armstrong
(as Himself) was with five members of his band in the back of
a chartered Greyhound bus (bound for Newport, RI and its famous
Jazz Festival); he was singing the title song "High Society
Calypso" in a calypso style; via the song, he outlined the plot like a Greek
chorus and introduced its main characters; he explained how Dexter,
a formal pal, was managing the local Newport Jazz Festival but
was "nursing the blues"; his former wife (a "silly chick") was
making plans to marry a "square"; Satchmo urged Dexer to "stop
that wedding and kill that match"; then
he informed the audience: "End of song, beginning of story"
- in the plot's opening, Armstrong and his band were
delivered to a palatial estate home where they were greeted by successful
jazz singer-composer C.K. Dexter-Haven (Bing Crosby), a financially-successful
and popular composer-singer who was organizing
the upcoming Newport Jazz Festival; he was living in a mansion
where rehearsals would be held in the lobby, and it happened to
be located across the street from where his ex-wife lived
- Dexter had been divorced
from wealthy, strong-minded Newport, Rhode Island socialite Tracy
Samantha ("Sam")
Lord (Grace Kelly), but was still in love with her; Tracy was in
the midst of preparations in the Lord's estate for her impending
marriage the next day to a stuffy and bland gentleman named George
Kittredge (John Lund) whom she regarded as an "angel";
she was being helped with her many wedding presents by her mother
Mrs. Seth Lord (Margalo Gillmore) and younger opinionated and precocious
sister Caroline (Lydia Reed) who still favored Dexter; during their
conversation, it was mentioned that Tracy's philandering father
Seth Lord (Sidney Blackmer), who was not invited to the wedding,
was rumored to have deserted his wife for a chorus girl (or talented
ballet dancer)
- Dexter retained his love for bride-to-be Tracy ("I'm
still in love with you") and was maneuvering to win Tracy
back; after marching over to the mansion, she accused him of trying
to disrupt her next day's wedding plans; Dexter reminded Tracy
that they had divorced due to differences in expectations: (Dexter: "You
called the shots. You were dictating the fellow you wanted me to be")
- incensed by him, she accused him of lowering his serious and respectable
reputation by becoming a "jukebox hero": ("With your background and taste and intelligence
you could have become a serious composer, or a diplomat or anything
you wanted to be. And what have you become? A jukebox hero?")
- Tracy's Uncle Willie (Louis Calhern) called to warn
that he had arranged for two employees of the tabloid magazine Spy to
arrive and stay at the Lord's residence to cover the high-society
wedding: reporter Mike Connor (Frank Sinatra) and photographer
Elizabeth
"Liz" Imbrie (Celeste Holm); Uncle Willie had been promised
by a SPY editor (Paul Keast) - or blackmailed - that a scandalous,
"unsavory" article about Mr. Lord's infidelity
with a dancer would be withheld and not published if they were
given permission to attend; Tracy initially responded vindictively
that she didn't mind if the article was published: "I couldn't
be happier. It serves him right," but then agreed to let SPY "send
their spies"
Uncle Willie (Louis Calhern)
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Scandalous SPY Magazine Article About Mr. Seth Lord
Was Promised to Be Withheld
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- Tracy sternly ordered no interference from Dexter
to ruin her wedding: "No member of my family is to invite Dexter-Haven
into this house until after I am married and gone. I will not have
my wedding spoiled by intruders"
- once the two interloping SPY employees arrived at
the house with their suitcases, Mike was amazed by the overt
luxury of the place: "All the comforts. Lousy with phones. South
parlor, sunroom, terrace, pool, stables. Stables?"
- it was obvious to Mike and Liz, after meeting Tracy (who pretended to
be over-dramatic and put on exaggerated airs), that the Lords were
a strange, and highly-dysfunctional family; the SPY employees also
met Tracy's divorcee-husband Dexter, who was sarcastically denounced: "Mr.
Haven has become quite famous since our divorce. Undoubtedly you
know of his piano concerto - 'Choo Choo Mama'"
- in order to distract and mislead the two Spy interlopers; Tracy
tried to sabotage picture-taking by knocking Liz's camera to the
floor after she was asked to pose for a photograph "between her
first and second husband": Dexter and George; Tracy also pretended
that her Uncle Willie was her father, while Seth was identified
as her "wicked" Uncle Willie
(l to r): Liz, Mike, and George
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(l to r): Tracy, Dexter, Caroline
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Tracy Posing Between Two Husbands
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- Liz and Mike were astounded by the "filthy rich"
family with many materialistic possessions - and in response, they
sang a duet together of "Who Wants to be a Millionaire?", as they
danced in the room holding all of the Lords' fancy and expensive
silverware and other glittering possessions
"Who Wants to Be a Millionaire?"
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Dexter's Wedding Present to Tracy
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Model of Sailboat - "True Love"
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- meanwhile by the pool, Dexter met with Tracy (in
her bathing suit), and he again mused about the reason for their
failed marriage: ("You felt I tricked you. I didn't know you
wanted a husband who'd be a kind of high priest to a virgin goddess");
he warned that she might face difficulties in her upcoming marriage
if she didn't soften up and become more human: ("You'd be
a wonderful woman if you'd just, just let your tiara slip a little.
But you'll never be a wonderful woman, or even a wonderful human
being until you learn to have some regard for human frailty. There's
a lot more of you goddesses around than people realize")
- after leaving, Tracy opened up the wrapped wedding
present he had brought to her - it was a scale model of their former
sailboat-yacht "True Love"; Tracy was inspired
- in an evoked flashback sequence or reverie, to recall her romantic
honeymoon with Dexter aboard their yacht; she remembered Dexter
on shipboard singing to her (with a squeezebox) the romantic popular
Oscar-nominated hit song "True Love" - and she joined him
with a duet (her film singing debut)
- she was brought out of her pleasant memories of
her honeymoon with Dexter by the arrival of her fiancee George
Kittredge, who unrealistically idealized her as a "goddess"; when he
told her: "There's a beautiful purity about you like a statue to be worshipped...I also
want you up on a pedestal where you belong. Where I can look up
and adore you," Tracy sharply told him: "But I don't want to be worshipped. I want
to be loved," but he appeared to know little about her true nature;
it was the beginning of her second-thoughts
about marrying Kittredge - signified by her response to her mother
about going swimming: "I've changed my mind"
- in a conversation with his daughter Tracy and his
wife, Seth explained his simplistic reason for his cheating: "What most
wives don't seem to realize is that a husband's philandering, even
as innocuous as my own, has nothing whatever to do with them....A
reluctance to grow old, I think"; he also cruelly referred
to Tracy as a cold and critical daughter rather than what he would
have rather preferred: "The right kind of daughter, one who's full
of warmth and affection - a kind of foolish, unquestioning, uncritical
affection...You have everything it takes to make a lovely woman,
except the one essential: an understanding heart"
- a slightly-drunken Tracy drove a silver 1955 Mercedes-Benz
sports-car convertible roadster around Newport, RI to guide writer-reporter
Mike and try to dissuade him from negative feelings about the "idle
rich" - ("I thought I'd show you the playground of the rich, the graveyard
of wealth"); she showed him many of the town's large mansions
that were boarded up and on sale due to high taxes and "the high
cost of being rich"; she also criticized him for what she had just
been criticized for: "You'll never be a first-class writer or a first-class human being until
you learn to have some compassion or regard for human -- "
- when they pulled through the gates of her Uncle
Willie's two-story home, she explained how Willie was giving it
away to be turned into a boys' school the next year;
inside, her bachelor(ette) party was being planned; at the bar in Uncle Willie's library, Tracy
admitted at the age of 26 that she had been "raised on a pedestal,"
and sheltered and protected by her wealthy status; she also compared
herself to the boarded-up homes as "a thing of the past"
- Mike began to express his increasing
affection for Tracy, and seductively sang "You're Sensational" to
her ("I don't care if you are called The fair Miss Frigidaire 'Cause
you're sensational"); when the song ended, he attempted to warm
her up: ("What you require is the proper squire To fire your heart")
by kissing and embracing her, but she became embarrassed and ran off
- Tracy was movingly affected
by hearing Dexter sing a love song in her honor that he had written
specifically for her: "I Love You, Samantha" (Sam and Samantha
were his nicknames for Tracy)
- Liz noted to Mike during the night's pre-marriage
dance held at Uncle Willie's place: "You
know, one of the prettiest sights in this pretty world is the sight
of the privileged class enjoying its privileges"; before the large
audience, Uncle Willie introduced Louis Armstrong's
jazz band, and Dexter sang "Now You Has Jazz" (the
middle of the piece featured Armstrong's own trumpet solo)
The Night Before the Planned Wedding
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George Dancing with Tracy
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Dexter Dancing with Tracy
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Dexter Kissing the Bride on the Patio of Uncle
Willie's Place
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Mike Dancing with Tracy by the Lord's Pool
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- complications arose the night before the planned
wedding as a messy love triangle (of sorts) was developing
around Tracy, while she experienced a series of flirtatious escapades
with three men; she was faced with a difficult choice between her
pompous but clueless fiancee, her reassessment of Dexter, and
her growing romantic attraction to Mike; the
jealous George witnessed Dexter kissing the bride-to-be - a slightly-inebriated
Tracy on the outside patio
- Dexter and Mike shared champagne drinks in Uncle
Willie's library, when hiccuping Mike
told him he should never have let Tracy get away: ("If you
had really known her, you would've [hiccup] never let her get away");
Mike sensed Dexter's ongoing love for Tracy; in a clever duet,
Mike and Dexter sang the recycled song: "Well,
Did You Evah?" [Note: It was borrowed from Cole Porter's 1939
Broadway musical "Du Barry Was a Lady."]
- although slightly drunk and relegated by a "frowning"
and spiteful George to a separate room away from the dance (and
Dexter), Tracy exited the room through a window; she happened to
bump into Mike, and the two drove off and sought privacy (and more
drinks) on a private patio at her home for over an hour
- while dancing together by the Lord's pool, she suggested
that they go swimming in the moonlight ("Tonight
I want to do everything"); after Mike
sang the beautiful love song "Mind If I Make Love to You" to her
as they kissed and embraced, Mike called Tracy a "flesh
and blood" woman: ("Darling,
you're lit from within. Bright, so bright...You're made of
flesh and blood. That's the blank, unholy surprise of it all");
she asked if it could be love between them, and he responded: "It
couldn't be love, could it?"; she cooed to him: "Put
me in your pocket, Mike," and then jumped into the pool with her clothes on
- meanwhile, Dexter returned with Liz to the Lord's
house, and realized that she was in love with Mike; he bluntly
asked her: "Liz, you're in love with Connor, aren't you?...Why
don't you marry him?"; she knowingly answered that she knew Mike
had to first get over his infatuation with Tracy before they had a chance
- then, George showed up and both George and Dexter
witnessed Tracy being carried up to the house by Mike (both were slightly drunk, wet
and dressed in robes) after their pool experience; already enraged
about Dexter, now George turned his anger toward Mike - and to
Tracy ("How could she do this to me?"); Dexter stepped in to punch
Mike before George was able to take a swing at him, and afterwards
boasted to George: "She isn't your wife yet, and she was mine,
you know"; after George stalked off, Dexter apologized to
Mike and told him: "Thought I'd better get you before he did,
he's in much better shape than I am "
Mike and Tracy in Pool Robes
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Dexter Punching Mike to Silence Him
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Dexter Apologizing to Mike
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- as the countdown to the wedding approached the next
morning, Tracy appeared slightly hung-over and couldn't remember
anything that had happened; but then she began to slightly recall
that she had taken a late-night swim with Mike and became embarrassed
- with some regret; she also apologized to Dexter for their failed
marriage: "I've always been so hard on people who weren't perfect,"
and she felt bad that George had witnessed everything the previous
night; Tracy was miserable: "I'm such an unholy mess of a girl"
and thought she had compromised her own virtue
- Liz and Mike interrupted to announce
their resignations from SPY Magazine, and therefore how they wouldn't
be submitting their dirty-journalistic exposes about the wedding
to safeguard the family's privacy; Tracy was relieved but still
dismayed: "Everybody seems to know about last night"
- when George arrived and stomped over, he told everyone
about his second thoughts about the marriage, and demanded an explanation;
Mike calmed George's and Tracy's nerves by admitting that due
to her drunkenness, he had treated her with the utmost respect
the previous evening - and her virtue remained intact: "Mr.
Kittredge, it may interest you to know that our so-called affair
consisted of exactly two kisses and one rather late swim all of
which I thoroughly enjoyed and the memory of which I wouldn't part
with for anything"
- Tracy told her fiancee: "If my wonderful, beautiful,
marvelous virtue is still intact, it's no thanks to me, I assure
you...George, I don't want you to marry me because you think I'm
now worthy of you. It would've meant so much more to me if you
had married me because I was unworthy"; Tracy attempted to coax
George into calling off their nuptials, by claiming she was unworthy
for him and couldn't behave herself; although George said he
was big enough to overlook Tracy's single indiscretion: ("Well,
what's done is done...In spite of the circumstances, I guess I'm
big enough to overlook a single indiscretion"), Tracy insisted
that he was too good for her - "I couldn't bear
a perfect man - I'd make you most unhappy"; George refused
to beg for Tracy's heart, blamed Dexter (and his class) for his
troubles: ("You and your whole rotten class"), and then marched off
- the guests had already arrived
and an organ began playing the 'Wedding March,' Tracy awkwardly
informed them of the change in plans and that her fiancee had cancelled
the wedding: ("There's been a little hitch. I've made a terrible
fool of myself, which isn't at all unusual. Well, my fiance that
was. Well, that is, he thinks we ought to call it a day, and I
quite agree with him")
- she turned to Dexter to ask him to announce a wedding to make up for the one they didn't
have earlier; they had eloped two years earlier to Maryland to
get married, and would now have the opportunity for a full ceremony:
("...by going through with it - as originally and most beautifully
planned"); Dexter impulsively volunteered to be the groom
- and Tracy accepted; her father began to escort her down the aisle
as Mike and Liz mentioned how the idea of marriage was becoming "contagious" -
a declaration of their own love for each other
Tracy's Announcement to Wedding Guests of a Change in Plans
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Dexter Volunteering to be Tracy's Groom
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Mike and Liz: Marriage Was Becoming "Contagious"
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The Film's Ending: Wedding of Dexter and Tracy
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- the picture closed with Louis Armstrong's jazzy rendition of "Here
Comes the Bride" (loudly played outside on the patio) for
the marital processional of the reconciled couple Tracy and Dexter;
he also told the audience with the film's last line of dialogue: "End of story"
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On a Chartered Bus to Newport, RI, Louis Armstrong: "High
Society Calypso"
CK Dexter-Haven (Bing Crosby) Escorting Band Members into Borrowed Estate's
Palatial Lobby (Rehearsal Hall)
Tracy's Younger Sister Caroline (Lydia Reed) - With Picture of Dexter
Tracy (Grace Kelly) with Her Mother Mrs. Seth Lord (Margalo Gillmore)
CK Dexter-Haven (Bing Crosby)
Tracy Deriding Dexter as a "Jukebox Hero"
Tracy's Fiancee George Kittredge (John Lund)
Liz Imbrie (Celeste Holm)
Mike Connor (Frank Sinatra)
Tracy Introducing Uncle Willie as 'Papa'
Tracy Introducing Her Father as Uncle Willie
Flashback -- Dexter Singing to Tracy: "True Love"
Tracy to Kittredge: "I don't want to be worshipped. I want to be
loved"
Mr. Lord's Cruel Criticism of His Cold-Hearted Daughter Tracy
Riding Through Town with Mike
Mike Sang to Tracy at the Library-Bar of Uncle Willie's Place: "You're
Sensational"
An Attempt at an Embrace and Kiss
Liz's Comment About The Privileged Class
"Now You Has Jazz"
"Well, Did You Evah?"
Mike with Tracy by the Pool, Singing "Mind If I Make Love to You"
Tracy to Mike: "Put me in Your Pocket"
Mike Admitting He Had Treated Tracy With Respect - And That She Still Had Her
Virtue
Tracy Attempting to Coax George Out of Their Planned Marriage
Tracy's Request to George to Call Off the Wedding: "I'd make you most
unhappy"
Louis Armstrong: "End of Story"
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