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The Court
Jester (1955)
In co-directors Melvin Frank's and Norman Panama's
classic musical costume comedy set in medieval England that spoofed
swashbucklers (with a masked Robin Hood character, the romancing
of a Princess-damsel in a tower, wenches, hypnotic spells, dueling,
jousting, and much more); Danny Kaye starred in a dual role as carnival
entertainer-acrobat Hubert Hawkins, and as an impersonator of a court
jester named "Giacomo"
(pronounced "Jockamo"); complicating matters even further
was the film's romantic sub-plot and the use of a hypnotic spell;
the film featured some of motion picture history's best comedic rhyming
wordplay and convoluted dialogue, in
its story revolving around mistaken identity:
- the opening title sequence was accompanied by a
musical solo performed by Danny Kaye as an acrobatic "court jester"
- "Life Could Not Better Be" - "Life could not better be, better
be, better be It could not possibly, no sirrrah, sirrah, sirree
Songs could not gayer be, sound your do, re, or mi Re, mi, fa,
so, la si, Fa la la la follow me..."
- the film's narrator explained how conflict arose
over ascendancy to the throne: "This is the story of
how the destiny of a nation was changed by a birthmark, a royal
birthmark, on the royal posterior of a royal infant child"; the
royal usurper to the throne was King Roderick the First (Cecil
Parker), who had ordered Sir Ravenhurst (Basil Rathbone) to eliminate
the royal family and its infant king - but he had obviously failed;
the King was supported by three advisors: Lords Brockhurst (Alan
Napier), Finsdale (Lewis Martin) and Pertwee (Patrick Aherne)
King Roderick the Tyrant (Cecil Parker) With His Pretty Daughter - Princess Gwendolyn
(Angela Lansbury)
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(l to r): Sir Ravenhurst (Basil Rathbone) with the King
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- the King (with support from his advisors) was pressuring
his pretty daughter - Princess Gwendolyn (Angela Lansbury) - into
a politically-important marriage with Sir Griswold of the
North (Robert Middleton), who was arriving the next day for a tournament;
she was opposed to the unromantic, political alliance; and because
of his own political ambitions to the throne, Ravenhurst was also
opposed to the alliance
- a group of loyalists faithful to the throne wanted
to ensure that the rightful royal heir (a child with a purple pimpernel
royal birthmark on its behind) was restored to the throne and put
there instead of a usurper - King Roderick; a rebel group of "Merry
Men" who hid out in the forest were led
by a Robin Hood-esque or masked Zorro-like hero/outlaw known as The
Black Fox (Edward Ashley); the King ordered
the execution of the Black Fox ('Wanted - Dead or Alive') and the
child
- in the forest, the great production number: "(You'll
Never) Outfox the Fox" was apparently being performed by the
Black Fox; however, it was revealed that the Black Fox was being
impersonated by one of his aspiring Merry Men - an ex-carnival minstrel-entertainer
named Hubert Hawkins (Danny Kaye); he performed with a large band
of acrobatic, ex-carnival "little people" (costumed
in Black Fox clothing); another member of the Black Fox's band
was a maid named Jean (Glynis Johns) - a Captain of the recruits
(a character reminiscent of Maid Marian in the Robin Hood tales)
Hawkins with Maid Jean (Glynis Johns)
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Hawkins' Group of "Little People"
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Hawkins with the Royal Baby - With Purple Pimpernel
Birthmark on Its Rear End
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- for safe-keeping and to guard the royal infant,
the baby was to be whisked away to the Abbey in Dover by Maid
Jean who was accompanied by Hawkins (who was adept at
impersonation to avoid detection); they both disguised themselves
as wine merchants - as elderly, bearded
owner Foltzingdale with his lovely young granddaughter, and they
hid the child in a fake wooden wine barrel on a horse-drawn cart
- in a cleverly played sequence, they were able to
evade the King's men who became utterly exasperated when questioning
them; Hawkins pretended to be hard-of-hearing and asthmatic, while
Jean faked being mute and capable of a weird form of sign language;
the two were ultimately dismissed as "dolts"
- with a storm brewing, they spent the night in a
woodman's hut, where they were forced to sleep
together in the stable; Jean confessed that she was impressed by
his kind tenderness shown toward the royal baby, and admitted
that she could love him even if he wasn't a fighter: 'I am a woman.
And I do have feelings....Sometimes tenderness and kindness can
also make a man. A very rare man" - she hinted that she could marry
him once their mission and "fight for freedom" were accomplished
- and they kissed
- she distracted him by describing their
ultimate plan - to use a secret tunnel and passageway leading from
the forest to underneath the walls of King Roderick's castle, where
they could gain access by obtaining a key (in the King's possession
in his chambers) and then have the Black Fox launch a surprise attack
- their plan came to fruition when another traveler
on the road entered the stable; he introduced himself as an Italian from
the court named Giacomo (John Carradine); he bragged about how he
was the newly-hired court jester for King Roderick's court;
Jean rendered Giacomo unconscious (off-screen) so that Hawkins could
take his place as the 'court jester' in order to enter the King's
palace and chambers to obtain the key to the secret passageway
- Hawkins was instructed to give the key to their
confederate inside the castle - who could be contacted and signaled
with a whistled secret call. She emphasized: "Hawkins, the future
of England depends on this; you cannot fail....Now remember, from
this moment on, you're no longer Hubert Hawkins the carnival entertainer;
You're the incomparable Giacomo, king of jesters and jester to
the king"
- back at the castle, Princess Gwendolyn again voiced
her rejection of her father's demands for a forced marriage and
alliance to Griswold: "I've seen this monster, and it's not for
nothing he's called the grim, the grisly, gruesome Griswold"; he
angrily ordered her to her chambers and called for the marriage
to be arranged immediately after the next day's tournament
- the King's men were ordered to seize the fairest wenches in the kingdom
to serve in the King's court; he demanded: "Wenches, laughter,
song, that's what this court needs!"; Ravenhurst reminded
the King about how he had sent for a court jester named Giacomo who would arrive soon:
"By reputation the gayest and wittiest entertainer in Europe." The
scheming Ravenhurst privately noted to his henchman Sir Locksley
(Michael Pate) about the true talent of Giacomo and his objective
- to assassinate the King
- meanwhile, "Giacomo" (Hawkins in disguise)
was separated from Jean and the infant king who continued on their
journey to the Abbey; he was unaware that Giacomo had been hired
as a skilled assassin by the scheming Sir Ravenhurst in the King's
retinue, who wanted to acquire the throne for
himself; his dastardly plan was to assassinate
King Roderick and his three advisors: Lords Brockhurst, Finsdale and
Pertwee, who were pushing for the alliance between the King and Sir
Griswold
- "Giacomo"
was also unaware that Jean
(and the hidden baby) were kidnapped by the King's men
and taken to the castle where she arrived before him, to serve as
one of his wenches; Jean was able to whistle and communicate
with the castle's stableman (ostler)
Fergus (Noel Drayton), Hawkins' original rebel confederate contact
who was spying for the Black Fox, to retrieve and take care of
the royal child while she was dragged away with the other wenches
- as the fake "Giacomo" was arriving at the castle,
Princess Gwendolyn was promised by the ambitious court
witch and her evil-eyed lady-in-waiting Griselda (Mildred Natwick)
- when held at knifepoint - that she was destined and prophesied
to marry the jester "Giacomo"
- "Giacomo" misidentified
Ravenhurst as his confederate contact, and thinking that his mission
was to retrieve the key from the King's chambers, he assured Ravenhurst: "I'd
like to get in, get on with it, get it over with, and get out.
Get it?...Get me to the king's chambers....It may be the Key to
the whole plan, get it?"
- once the King arrived to greet "Giacomo" -
they engaged in the film's first tongue-twisting classic word-play
dialogue while discussing the Italian court; confused by "Giacomo's" response
about a triple murder between the Duchess (with a dirk), the Doge (a
chief magistrate) (with a dart), and the Duke (with a dagger), the
King clarified that all he was referring to was the fact that the Duchess "had
a siege of rheumatism. She's 83, you know"
- on his way to inspect the "luscious" wenches,
the King was persuaded by Sir Ravenhurst to have "Giacomo" select
a wench for him; the King agreed and expected
the selected wench to be brought to his chambers within an hour
- "Giacomo" became the unwitting pawn of
many others -- some with devious and villainous objectives;
as Fergus approached to identify himself and warn him away from
Ravenhurst: "It is I, not Ravenhurst who
is your friend," "Giacomo"
ignored him
- Griselda interrupted "Giacomo," to fulfill
her promise to Princess Gwendolyn to be romanced by him; she placed
or cast a hypnotizing spell upon "Giacomo"; [Note:
The spell could be activated and then hilariously undone - by just
a snap of the fingers.] Griselda convinced
him to believe that he was a dashing, super-confident romantic lover;
he was commanded to obediently "go to her room and make love!"
- in the hallway, Jean slipped "Giacomo" the secret
passageway key that she had just stolen from the King's chambers,
and then informed him about a change of plans: ("Fergus will bring
you the infant"); the King happened to appear and thought that
"Giacomo" had selected Jean as his main wench for the evening's
banquet celebration
- after swinging to her window on a Tarzan-like vine, "Giacomo" entered
the Princess' bed chambers to woo her away from any other lovers;
with flowery prose, he told her: "What manner of man is Giacomo?
Ha ha! I shall tell you what manner of man is he. He lives for
a sigh, he dies for a kiss, he lusts for the laugh, ha! He never
walks when he can leap! He never flees when he can fight (thud),
Oop! He swoons at the beauty of a rose. And I offer myself to you,
all of me. My heart. My lips. My legs. My calves. Do what you will
- my love endures. (kiss, kiss) Beat me. Kick me. (kiss, kiss)
I am yours."
- Gwendolyn noticed that he had the key to the secret passageway, and proposed
that they escape at midnight together; she took the key and placed
it down her bodice: "I'll keep it next to my heart; a sweet symbol of your love." They
were interrupted by the King's arrival at her door, and while the
King kept insisting that his resistant daughter marry Griswold,
they alternatingly kept snapping their fingers at each other -
causing instant changes in "Giacomo's" behavior as he hid behind
a nearby curtain; as the King shook Gwendolyn, the key dropped
to the floor - and he suspected her of tricking him to elope with
"Giacomo"; after the King stormed off, Gwendolyn and "Giacomo"
reaffirmed their plan to run away that evening
- still under the spell, "Giacomo" met with Sir Ravenhurst, who ordered him
to carry out two plans: (1) the murder of the King's three advisors,
and (2) the abduction of the Princess from the castle before midnight
(if Plan # 1 failed)'
- when "Giacomo" returned to Griselda, she released
him from her spell - and he remembered nothing of what had transpired;
in the hallway, Griselda overheard Sir Ravenhurst plotting to ensure
the marriage of Gwendolyn to Griswold that was to be announced that evening
- "Giacomo" was called into the King's
presence at the evening's banquet, and was compelled to sing "The
Maladjusted Jester" to distract everyone as the hidden royal
child was being handed around in a basket; the amusing song described
how "Giacomo" had taught himself to become a jester or "fool"
At the Banquet, "Giacomo" With the Basket Hiding the Royal Child
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"Giacomo" Singing "The Maladjusted Jester"
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- to facilitate a plan in
the works by Ravenhurst to eliminate the King's three Lords-advisors,
Griselda inserted poison pellets in three flagons; Jean was able
to rescue the child in the basket and whisk him away to safety
(with Fergus) as "Giacomo" proposed
a toast to the King. The King's three Lords Brockhurst, Finsdale
and Pertwee fell over dead when they drank from the poisoned flagons
- at the same time, Sir Griswold arrived at the castle
to claim Princess Gwendolyn as his wife, but she was resistant to
the political alliance that included her forced royal marriage, and
instead declared her love for "Giacomo": ("There will be no alliance
and no marriage....I cannot marry Griswold, father. I love another...I
have found my love, father. My true love...The man I love is a
simple man, but noble of heart. My beloved Giacomo!"); as
a result, "Giacomo" was arrested ("Take the swine
out and hang him!") and jailed
- others were as stunned by
the news as the King himself, including Maid Jean and Sir Griswold.
Sir Griswold proposed a jousting-dueling match to the death against "Giacomo" to
avenge his own insult and dishonor, to be held the following day
- Sir Ravenhurst was informed that "Giacomo" was
an imposter (and wrongly thought he was the Black Fox, a commoner).
He proposed that the King 'knight' the commoner "Giacomo" ("Knight
the jester") so he could rightfully participate in the next
day's tournament against Sir Griswold. The King agreed to the idea
- confident that Griswold would be the winner (and marriage partner
for his daughter). Sir Ravenhurst was hoping for the opposite result
- "The Black Fox" ("Giacomo") would be the
victor - as part of his plan to overthrow the monarchy
- the jousting-dueling tournament between Sir Griswold
and "Giacomo" was prefaced by "Giacomo's" sped-up "series
of tests of manhood, skill, and courage requisite to his becoming a
knight of the realm" - i.e., scaling a stone wall in armor, kill a
hawk with a long bow, defeat a wild boar bare-handed, etc.
- behind the scenes, Jean
stole back the secret tunnel key by flirting with the King, and
delivered it back to stableman Fergus who suggested:
"It must be sent by pigeon to the Black Fox at once!"; Jean
also warned "Giacomo" with a note that his knighting was part of a
conspiracy to kill him; once "Giacomo" was knighted by the King, Griswold
predictably challenged "Giacomo" to a duel
that would likely lead to his death; Jean
assured "Giacomo" that the Black Fox would arrive in time
to fight the challenge for him
- the Princess (fearful of having to marry Griswold)
threatened Griselda to use her witch-powers to help her: ("Remember
this.. if he dies, you die"); Sir Ravenhurst observed as Jean
again met with Fergus and gave him a note to accompany the key - to
summon the Black Fox for an imminent attack on the castle; after sending
the message, Fergus was apprehended; (after the jousting tournament,
it was announced that Fergus was tortured to death by Sir Ravenhurst's men)
- meanwhile, the summoned Black Fox approached to
invade the castle through the secret tunnel, but the passageway
collapsed; the Black Fox realized he would need to devise a new strategy
- with a delay in the Black Fox's arrival, "Giacomo" feared
facing his deadly jousting opponent Sir Griswold for "a battle to the death
for the hand of the fair Gwendolyn";
Griselda surreptitiously placed a poison
pellet in a toasting vessel with a pestle, and then informed "Giacomo"
-- "Griswold dies as he drinks the toast"
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film's most memorable sequence was the tongue-twisting "Vessel
with the Pestle (or The Pellet with the Poison)" dialogue
(with hilarious results); Griselda warned "Giacomo" about
the location of poison in Griswold's toasting vessel; she used
a riddle that included instructions on how to avoid the poisoned
drink; specifically, "Giacomo" was instructed to remember
the poisoned cup and drink location for the pre-joust toast - in
a vessel (with a pestle) with drink that was poisoned by a pellet
- "Giacomo" was ordered to put on his
suit of armor to prepare for the jousting challenge. He then tried
to repeat back for himself what he had just memorized. After a
short interruption when lightning struck "Giacomo's"
body armor (and magnetized it), he continued - and became even more
confused; when "Giacomo" saw Griselda again, he proudly
repeated the proper phrase, but then, she reported that there
was a change in the directions when the original vessel broke and
the poison was now in the flagon with the dragon; they were unaware
that Griswold's assistant overheard the directions
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Griselda's Corrected Second Set of Directions: "The
Pellet with the Poison's in the Flagon with the Dragon"
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- Griswold was warned of the poison's presence by
his assistant; both combatants mumbled a jumble of directions in
their minds as they approached toward the King; their pre-joust
toast was ultimately called off by the King; during the joust between
them, "Giacomo's" magnetized
suit of armor and shield attracted Griswold's mace and chain jousting
weapon - and Griswold was yanked off his horse and defeated; "Giacomo" refused
to take Griswold's life ("I grant your life"), and the
King reluctantly declared "Giacomo" the winner (of the contest
and of his daughter): "I hereby decree that you shall marry
the Princess Gwendolyn"; still believing that "Giacomo" was
an imposter - "neither Giacomo nor jester" but the Black Fox,
Sir Ravenhurst accused "Giacomo"
of being a traitor, and ordered him to be arrested with Jean ("his
foul accomplice") to both face a trial
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The Trial-Hearing for "Giacomo" and
Jean
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- at the forest's entrance to
the secret passageway leading to the King's castle, the Black Fox
ushered in Hawkins' army of "little people" friends into
the opening. It would be the only way to infiltrate the palace
through the narrow tunnel; the remainder of the group of full-sized "Merry
Men" took the slower coast road to the castle
- during the trial, Sir Ravenhurst
accused "Giacomo" and Jean of harboring a royal child in the castle with the ultimate
aim of overthrowing the King; at the same time, the "little people"
had already successfully entered the castle, and stealthily helped
to free the two defendants; they scaled the rafters and set up offensive
positions; the army of midgets led by Hawkins took control of the
basket holding the royal child, rescued Jean, attacked and knocked
out the King's guards and catapulted them into the castle's moat;
"Giacomo" - who had declared that
he was the Black Fox, led the charge of his "little people"; Jean
knocked out the door guard and raised the drawbridge gate, to let
in the Black Fox's men (disguised as monks) who had just arrived
- during the real Black Fox's successful attack on
the castle, a hypnotized "Giacomo" (believing that he
was a confident and skilled swordsman) dueled against Sir Ravenhurst
in another very amusing sequence; random finger snaps alternatingly-switched
"Giacomo" between a master dueler (who taunted Ravenhurst)
and a cowardly circus performer. [Note: During the duel, there
was a parody of the candle-slicing scene from The Mark of Zorro
(1940) - also starring Rathbone.] "Giacomo" defeated his opponent
by launching him with the catapult
- the film concluded with the defeat and ouster of
throne-usurper King Roderick, and the revelation of the true young
King (with the purple pimpernel birthmark) to Sir Griswold and his
army; "Giacomo" and Jean briefly reprised the
song: "Life Could Not Better Be": "The real king is on the throne,
Jean is my very own, and life couldn't possibly, not even probably,
life couldn't possibly better be!"
"Giacomo" Revealed the Royal Child to King Roderick
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"Giacomo" with Jean: "Life Could Not Better Be"
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- strangely, Princess Gwendolyn and Sir Griswold were seen in the crowd holding
hands
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Opening Titles Sequence: Court Jester (Danny Kaye): "Life
Could Not Be Better"
The Black Fox Impersonated by Hubert Hawkins: "(You'll Never) Outfox
the Fox" - With Six "Little People"
The Real Black Fox (Edward Ashley)
Hawkins and Jean Disguised as a Wine Merchant with Mute Grand-Daughter
Sleeping Together in a Woodman's Hut - And Showing Romantic Feelings
For Each Other
Court Jester Giacomo (John Carradine)
Hawkins as "Giacomo" On His Way to the Castle
Jean Amongst the King's Kidnapped Wenches
The Rebel Confederate in the Castle, Stableman Fergus
Court Witch Griselda (Mildred Natwick) Promising Gwendolyn's True
Love Would Be "Giacomo" - Not Sir Griswold
"Giacomo" with Sir Ravenhurst: "I'd like to get
in, get on with it, get it over with, and get out. Get it?"
Tongue-Twisting Dialogue Between "Giacomo" and King Roderick: "What
did the Duke do?"
A Hypnotizing Spell Cast by Griselda Upon "Giacomo"
Under the Spell, Court Jester "Giacomo"
Romanced Princess Gwendolyn
The King's Insistence on Gwendolyn's Marriage to Griswold
The King's Beautiful "Wench" Jean
The King's Three Advisors Poisoned to Death
Arrival of Sir Griswold - To Marry Gwendolyn, But She Refused the Royal
Marriage
Maid Jean's Warning to "Giacomo" That His Knighthood Was Part of a Plan
to Have Sir Griswold Kill Him in a Duel
Gwendolyn to Griselda Regarding "Giacomo": "If he dies, you die"
Griselda's First Set of Directions: "The Pellet with the Poison's
in the Vessel with the Pestle"
Griswold Warned by His Assistant About a Poisoned Drink Cup
The Pre-Joust Toast Was Called Off
Sir Griswold Defeated in Joust Challenge by "Giacomo's"
Magnetized Suit of Armor and Shield
Sword Duel Between Hypnotized "Giacomo" and Sir Ravenhurst
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