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The Cabin
in the Cotton (1932)
In director Michael Curtiz' pre-Code
social melodrama about social injustice, adapted with a screenplay
by Paul Green of Henry Harrison Kroll's 1931 novel Cabin in
the Cotton - it provided a diatribe against the exploitation
of sharecroppers by wealthy southern landowners:
- many of the film's principal characters were introduced
during the title credits, with pictures, star and cast
name
Sharecropper's Son Marvin Blake
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Marvin's Childhood Sweetheart Betty Wright
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Plantation Owner's Seductive Daughter Madge Norwood
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Plantation Owner Norwood and Marvin's Widowed Mother
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Betty's Father and Marvin's Step-Father
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- the film's opening title credits included a studio
disclaimer in an attempt to remain neutral and not take sides in
its story of conflict between two societal classes - the rich land-owning
planters and the poor, tenant cotton-picking farmers
- in the opening scene set in the cotton fields, aristocratic
cotton-plantation land-owning planter Lane Norwood (Berton Churchill)
demanded that tenant-farmer Tom Blake's (David Landau) son Marvin
(Richard Berthelmess) join the workers in the field immediately
rather than pursue his education
- during preparations for supper that evening in the
Blake's ramshackle dwelling, the over-exhausted Tom passed away
on his bed - family members reacted to the unexpected death
- following a somber funeral service and burial ceremony
for Blake (in a simple pine coffin), the guilty-feeling Norwood
- partially due to his daughter Madge's (Bette Davis) intercession
as Marvin's HS classmate - begrudgingly but supportively assisted
Marvin by sponsoring the continuation of his education; Marvin
was offered work as a night clerk until he graduated, and then
was promoted to financial accountant in Norwood's company store
- in the store after graduation, Marvin was questioned
about his new allegiances to Norwood by his new step-father
Sock Fisher (Erville Alderson) and his son Jake Fisher (William
LeMaire), both poor white workers, but Marvin refused to extend
credit or provide a handout: "Mr. Norwood can't keep feeding you
unless you bring in enough cotton to pay him," but then he relented
when his Ma begged; suddenly, Madge entered the store and seductively
asked Marvin to provide a light for her cigarette, as his family
members looked on; once they left, she temptingly invited Marvin
to join her friends and go swimming, but the clean-cut and sober
Marvin declined
In the Company Store, Marvin's Initial Refusal to
Extend Credit to His Step-Relatives, the Fishers
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Marvin Lighting Seductive Madge's Cigarette
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- Norwood summoned Marvin into his office and pressured
him to spy on his fellow tenant family members, inform him about
thefts of cotton, and report any efforts at union-organizing by
the field workers - he especially singled out the indebted Sock
Fisher and Uncle Joe Wright (Russell Simpson) (Betty's father)
who he suspected were ungrateful workers who were
stealing his cotton; he urged Marvin to attend his sweetheart Betty's
tenant-farmer birthday dance party that evening, to spy on the
workers and find "evidence" of wrong-doing
- Marvin attended Betty's birthday party and became
reacquainted with her (they kissed in a back-room), and while dancing
the "Peckerwood Wiggle" with her, he noticed Madge peering in at
the window at him with one of her boyfriends
- called aside by Betty's father Uncle Joe Wright,
Marvin was informed that the farmers were stealing cotton from
Norwood, to retaliate for Norwood's corrupt business practices;
Uncle Joe even asked Marvin to broker the stolen cotton for them
in Memphis, and side with his kinfolk against the exploitative Norwood
- Norwood introduced Marvin to the local District
Attorney Russell Carter (John Marston) to discuss the problem of cotton
theft, but Marvin denied knowing anything about it - complicit
in the crime; he knew that the farmers didn't have enough credit
to buy things in the company store, due to corrupt lending practices
- Madge entered the company store to purchase cigarettes, and came face-to-face
with Marvin's girlfriend Betty buying sugar; Madge (now envious
of Betty) invited Marvin to her own extravagant jazz band party
(with an all-black jazz band from Memphis); after accepting her
invite, to thank him, she delivered the film's most memorable line
while standing on the store's outdoor porch:
"Ah'd like to kiss ya, but ah jest washed ma
hair"
Madge Face-to-Face with Betty
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Madge to Marvin: "I want you to be my boyfriend"
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"Ah'd like to kiss ya, but ah jest washed ma hair"
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- during Madge's formal jazz dance party, Marvin began
to fall in love with the vivacious, carefree and tempting rich
girl Madge who was also becoming infatuated with him, after she
announced that he
was being invited by her father to live in the plantation
- both Marvin and Norwood participated in a search
for a murder-suspect - a tenant-farmer who had murdered a planter;
Marvin was the first to locate the fugitive tenant named Bill in
the swamp and briefly spoke to him, as he begged: "Help
me, Marvin. Don't let them get me." Bill explained the reason
for his murder of a planter: "I lost my head. He won't give
me a cent for my cotton. Said I owed him money." Marvin encouraged
Bill to run: ("Run, run, Bill. Run!"), but he revealed
their location and the killer was quickly located and apprehended.
Marvin looked on in horror but remained immobile as Bill was brutally
lynched
- upon returning to the plantation, Norwood's company
store was burning down - the result of arson; as it turned out,
Marvin risked his life by unnecessarily running into the flames
to acquire the financial records; he discovered that the safe had
been blown open and the books had been stolen before the fire;
Norwood was aghast - how would he now be able to
tally up the debts of his tenant-farmers?; Marvin then admitted,
confusingly and to everyone's surprise, that he had a duplicate set
of financial record books, to save Norwood's business; he was still
very upset about the lynching: ("What happened out there in the
woods tonight wasn't right. Nothing can make that right")
- on a Sunday afternoon when alone with Marvin in
the plantation house, Madge realized
that Marvin was packing up and leaving; she tempted him to stay
with food and wine ("to take the blues away"); she also
toasted "to
the future," and asked:
"Doesn't this wine warm your tummy?"; she urged him to not
leave; for privacy, she dismissed the black maid for the afternoon,
and then with her irresistible charm, she led Marvin to her bedroom
and stripped off her clothes (mostly off-screen): "Come up to my room
for a minute. I want to talk to you about somethin'. Turn your back
and look at those snapshots for a minute while I get into somethin'
more restful. Turn your back" - the scene ended with a discreet fade
to black after Marvin blurted out: "Madge!"
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Madge's Sunday Afternoon Seduction of Marvin
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- shortly later, Betty again summoned Marvin to her
father's home, where Uncle Eph Clinton (Henry B. Walthall) informed
him that the Clinton brothers and Jake Fisher had been arrested
and jailed for burning down the company store; Marvin resisted
revealing the location of the second set of books
- Marvin was given a heart-to-heart, guilt-inducing
talk by Uncle Eph (lying on a bed) who tried to dissuade
Marvin from sabotaging the tenants' interests or his father's legacy
by rebelling against his farmer-roots; however, Marvin refused to comply
with their demands, and asserted how he hadn't snitched on them
or been unfair; the farmers suspected that Marvin's denial was
due to his passionate relationship with Madge - with vulgar insinuations;
Uncle Joe delivered a stern ultimatum for Marvin to deliver the
second set of books - by the next day at sundown
- Marvin rushed back and studied the books, and realized
how his father Tom Blake who had worked for Norwood for 15 years,
was kept perpetually in debt, due to excessively-high
interest rates (30%-40% interest) plus carrying fees: "And the money
that might have brought him a little happiness you took away. He's
dead. And you've worked him to death"; Norwood debated with Marvin
and reminded him how he had personally helped his advancement;
only Madge's intercession (and profession of her love for him)
persuaded Marvin to stay the night ("Please stay, for my sake!")
Madge's Persuasiveness to Get Marvin to Stay
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"Please stay, for my sake!"
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- the next morning in Jonesville after a brief
meeting between Marvin and Carter in his law office, it was proposed
that Marvin would lead a "Co-operative Mass Meeting" in the town
Court House between the tenants and farmers to resolve all of their
issues - the meeting would be led by Marvin
- the film concluded
with Marvin serving as a peacemaker between the workers and management,
to prevent further deadly confrontations; he proposed a one-year
trial contract between the two sides to have them work cooperatively
and in a spirit of compromise; Norwood was the only landowner to
hold out and not sign the contract (as Madge supported him: "Don't
you do it, Daddy. Don't let a Whicker bill white get the best of
you")
Norwood and Daughter Madge Defeated - Forced to
Sign a Cooperative Contract with Tenants
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Marvin's Last Look at Dejected Madge
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Marvin's Choice of Betty As His Girlfriend
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- when Norwood threatened to walk out of the meeting,
Marvin counter-threatened by pressuring him, through blackmail,
that he would expose the facts about the horrific lynching to the
State Governor if he didn't sign; Norwood immediately agreed to
sign
- as the meeting broke up outside,
Marvin was congratulated by Uncle Joe, and then indicated that
he would be with the virtuous Betty in the future - he
promised her: "I'll see
you Sunday, Betty." Carter also thanked
Marvin for his efforts to create "a new day in this neighborhood," and
hinted at a possible partnership with Marvin; Norwood politely conceded
that he had lost - with a handshake ("You win, Marvin!")
- Marvin was positioned between Madge (in a convertible)
and Betty (in an open buckboard wagon); Madge briefly smiled at
Marvin but then looked dejected when he glanced and smiled in Betty's
direction
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Film's Prologue and Disclaimer
Land-Owning Planter Demanding that Marvin Work in the Fields
Marvin's Father Tom Blake (David Landau)
Reaction of Family Members to Tom's Death
Norwood Pressuring Marvin to Report on Any Suspicious Activities Amongst
the Tenant-Farmers
Marvin with Affectionate Betty at Her Birthday Party
Madge Peering in at the Farmer's Country-Western Dance
Marvin Informed by Uncle Joe Wright
About Cotton Thefts by Farmers, and Urged to Side With His Kinfolk
Local DA Russell Carter (John Marston) Discussing Cotton Thefts with Marvin
Madge with Marvin at Her Jazz Dance Party
Marvin Dismayed at the Lynching of Fugitive Farmer Who Had Murdered a Plantation
Owner
Marvin's Failed Attempt to Save the Financial Books in the Burning Company Store
Norwood Threatening to Catch the Arsonists
Uncle Eph Clinton's (Henry B. Walthall) Heart-to-Heart Talk with Marvin
Marvin Angrily Confronting Norwood for 'Cooking the Books' To Keep His Father
Perpetually in Debt
The Film's Concluding Town Meeting To Resolve Issues
Marvin's Peacemaking Efforts at Meeting
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